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Slutlips

by Catherine Corelli

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1.
Drops On The Carpet 06:26
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SC1 Opening scene before the music starts. EXT. Daisy walks down the street humming the hook from the 'Scapegod' song. It's morning. She's on her way to school. Ambiance cross-fades into music. Alice says: 'I've left some drops on the carpet'. Music goes on. The track ends with Alice saying 'What are those drops on the carpet?' Alice wakes up in a motel room after a night show. And she's kind of still groggy and trying to figure out what are those stains there. Obviously, she doesn't though.
2.
Slutlips 04:39
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SC2 INT. Shalebridge Cradle state Mental Hospital, South Dakota. Afternoon. Dr. William Hanscomb's office. A landline phone rings. Hanscomb: Good afternoon, Mr. Wallace. [indistinct speech in the receiver] Hanscomb: Yes. We've detected massive psionic activity, both alpha and beta wave in the Underworld. [pauses to listen] Yes, sir. Of course. Certainly... We're working on it. [hangs up] The music kicks in with Alice doing her lipstick at the mirror. Alice: Those are slutlips [repeatedly]. [Sarcastically] OMG! You look like a slut. The track continues with Alice sardonically singing: Everybody wants you, everybody needs you, Everybody hates you, everybody bleeds you. Everybody wants you, everybody needs you, Everybody fucks you, everybody kills you. The track ends with Alice saying once more "OMG! You look like a slut!" in a robotized voice.
3.
Lily's Dream 06:25
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SC3. EXT. Oregon Coast. Afternoon. The scene opens with a Down Walk 60's saxophone track which is succeeded by ocean waves breathing softly. A younger Lily (13 y.o.) dozes off to these peaceful sounds in her dad's car in the back seat. Someone calls "Lily", and says, 'It's all beneath your skin'. As she goes deeper and deeper into her sleep, the sea and sky get darker and darker. Lily sings: It's all beneath my skin, It's tightening within, And I don't know where to hide And what to do. She's scared, the wind strengthens, but there's no storm. As we hear her breathing again, someone says "beneath your skin" another time. At the lash-like sound, the dream ends. But just before she opens her eyes and wakes up with a start the Mystery Girl appears. MG: Lily! Time to wake up, pretty girl!
4.
Alpenchase 04:14
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SC4. EXT. Poster highland image. Much like Swiss Alps on a 90's postcard but giving a somewhat ridiculously intense vibe of an Alpen Gold chocolate commercial Highland ambiance with cows and sheep making noises, walking and munching on the grass Daddy walks with Lily. Lily's 16 yo. It's a bright sunny day in June The ambiance gently goes into the music starting in the background and building up gradually As the music builds up, the ambiance fades Daddy tries to embrace Lily and pushes her into his body a little too much Lily: Daddy? W-what are you doing? Daddy: [not letting go of her] I just so love you, darling [trying to sound gently] Why won't you let me embrace you, sweetheart? You're such a beautiful child... Lily: [still trying to slip out and realizing that Daddy's grip on her waist gets even tighter] Let go of me Daddy: [catching her hand] No-no-no, sweetheart! Daddy's not letting go of such a treasure! [sounds exaggeratedly petty] Not in a lifetime! Lily: [now trying to tear her wrist out of his hand] Daddy, stop it! Let me go! Stop it, please! [slips out with a painful twitch and dashes away] Daddy: [getting angry immediately] You! You have to obey your father! [starts shouting and wailing as Lily runs further and further away] Hands! Those filthy hands! Obey your father, you little bitch!
5.
Sex & The City 07:12
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SC.5 EXT. Night Chicago street. High heels approaching Alice steps out of a club and rapidly walks past Daisy Daisy: Hi, Alice! But she just passes her by, lost in her thoughts Alice walks past Roy Torrance that was waiting for her, lurking in the shadows Roy: Hey! Are you like Bloodrayne or something? Alice: Yeah Roy: Cool! Do you suck? Alice: Yeah Roy: So? You wanna do it? Alice: Yeah Roy: [distracted] What are you doing, you taffer? Alice: Sucking your blood [sucks his blood and then slits his throat] Shit! He's been already dead... [disappointingly] Music starts playing rapidly, when the track ends the last distorted note hangs on with the weird vibrato voice on top, then fades into the night city ambiance This time there's first one siren, then the cops pull up and start inspecting the crime scene with Roy's body lying there SC. 5.1 INT. Chicago Police Homicide Division. Next day afternoon. Reception area. Ambiance Agent Matt Curtis walks in Curtis: Good afternoon, Federal Bureau of Investigation, special agent Matt Curtis. I'd like to see inspector Andy Trudeau [ambiance shifts into the sound of a closing door as Curtis walks into Trudeau's office] Curtis: Inspector? Trudeau: Agent? [both sit down] Curtis: I'm looking into the death of Roy Torrance and, as you might guess, expect full hearted collaboration on the case Trudeau: [positively] With pleasure Curtis: So... The report says blood suction marks, huh? Barely distinguishable due to the damn machete cut, but still there... That's not quite a typical case, is it? Trudeau: Pretty far from typical, agent Curtis: Any connections to satanic sects, devil worshipers, maybe? Trudeau: None so far Curtis: Background? Occupation? Family members? Trudeau: We have our Winchester boys on it in South Dakota Curtis: I hope they don't pretend to be the FBI Trudeau: [chuckles] Of course not, agent. Certainly not
6.
Monsters 06:33
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SC.6 INT. Chicago bar. Late evening The track opens with Midnight Chicago Jazz Band Performing Scapegod live on stage preceded by a voice Saying "Meanwhile..." Drunk Laura just arrived and wants the band to play The band just left. Daisy is not as drunk, she's comfortably Seated and has been hanging out for awhile Daisy: [drunk as well, in a tired voice, trying to shout out To Laura that doesn't listen though] Oh c'mon, Laura! Shut your damn piehole! [Laura goes on around the place much to the amusement of the audience] Daisy: [in a more relaxed voice, rather to herself] Santa's in town Bunny's in the Un... [hiccups] Underworld Alice... in Wonderland... [giggles] Where's Stan? At this point, the track starts Alice quotes the Mulholland Drive movie all the way Through the track as she raps and also points out to The fact that the monsters are real towards the ending Alice: [intro] No hay banda. No hay orchestra Yo! My name is Alice, and I remember everything [verse] This is all a tape recording, and yet we can hear a band If you wanna hear a clarinet don't fret, get your headset And get a taste of my blood and sweat. Listen! Can you feel it? Can you feel it? Can you feel the dread? Remember what I've said? [verse] It's all a tape recording, it's all a tape recording Can you hear it? Can you hear it? Are you that prone? If you really wanna get it go ahead and listen to that muted trombone, there it is! And a trumpet too! Just waiting to be heard in that chord by you! Samples and stuff is all I got. And it's all wack and fucked up, man, it's shot There is no band band band! No hay banda, no hay orchestra [verse] It's all hidden in my head in a memory Kinda creepy stuff there but yet it's me It's me in this. It's this debris C'mon let's see, can we dig up a cello and not disagree On what we hear, what we know, what we think we'll see! On what you thought, what you sought, what I couldn't be! [hook] There is no band but the monsters are real! But the monsters are real! It's all a tape-tape it's all a tape It's all a tape-tape it's all a tape recording Thank you, David! I'm quoting Mulholland Drive I'm not like Em, and I'm not Jay Z My name is Alice, and I'm just being me T-t-tape t-t-tape recording No hay banda, no hay orchestra The track closes with the same eerie voice saying: "Lately I've been filled with a knowledge that the killer Will strike again..."
7.
The Pines Stood Tall 06:19
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SC.7. Shalebridge Cradle state Mental Hospital, South Dakota. Morning Dr. Hanscomb: [speaks on phone] It's Dr. Hanscomb of the Shalebridge Cradle state Mental Hospital, South Dakota. [pauses] Yes, it's important I want to talk to inspector Trudeau. [waits] Hi, inspector! I've read about this murder in the papers Yes. THAT murder. Roy Torrance... [pauses] I'm his brother's therapist. His name is Daniel Torrance [pauses] He's a heavy case indeed. Since his brother, Roy Got killed he's hallucinating more and more... No, sir. We have it all under strict control Yes, I will call you back later [hangs up] SC.7.1. EXT. Forest. Dawn. Birds singing The track starts cross-fading in from the ambiance Lily says: It's just another day... Daddy takes Lily on a walk to the forest The lyrics starting in the middle describe a rape scene [verse] And the pines stood tall to watch me fall As the lilies bent down and saw me crawl And the time stood still and listened to my heart And the birds seized to sing as it pounded loud Nobody told me, and I never knew Where the wind came from and where the wind blew [hook] Let's pretend I like it this way Let's pretend I don't feel betrayed Let's pretend it's just another day Let's pretend, let's pretend, let's! Let's pretend I'm perfectly fine With your lechy breath on my spine Let's pretend it isn't too bad Let's pretend I still have a dad Let's pretend I'm happy and safe Let's pretend it isn't a rape Let's pretend one day I'll forget Let's pretend I don't want you dead! Let's pretend, let's pretend Let's pretend I don't want you dead! It's just another day, it's just another day... Let's pretend. It's just another day
8.
New Moon 07:22
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SC.8 INT Mystery Girl: Lily... Lily. Lily! You will hear me one more time if you do good You will hear me two more times if you do bad Good night Lily experiences the nightmarish aftermath of being raped by her father SC. 8.1 INT Morgan: Alice... Alice... Alice! Time to wake up, pretty girl!
9.
Churchpunk 07:31
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The track opens with the Down Walk 60's intro that ridiculously breaks and after a build up results in the following scene SC.9 EXT. Church bells in the distance can be heard for a while Alice: [intro] Oh my fucking god! And now he's gonna drag this little girl into church And blame it on her, blame it on her 'cuz she's the source of all original sin, yeah! It's all fucked up in your head, man The top is the bottom in your head, man What a religious fanatic! Perverted tactic A dickhead with no balls to admit He's the only one and motherfucking guilty. Shit! Door closes as Daddy takes Lily into the church. He further lectures her Daddy: [in an archaic exaggeratedly epic mentor voice] Thou hast disobeyed thy father, Lily Great is thine sin and dark is thine evil trickery For thou hast lured me into lechery and fled Therefor thou shouldst be punished and purified By fire and iron, and prayer [continues almost chanting] The spot betwixt thine legs The one that lustful desires conjure And pleasure promises to thee Shalt burned be But ere that hour strikes For thy repentance I await in hearty prayers And rede thee never to prevent What'er thy father craves from thee The church epic string music starts to melt and swirl after The speech is done to the point at which Alice is heard Screaming louder and louder "Run!" and then continues With the words: Run! Like you have never run before. cuz this monster is real I wish I could wash your dirt away... I wish I could dry your tears today Nothing lasts forever, one day you'll be queen and all But for now, hide your face in me
10.
My Time 08:26
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SC.10 INT. Chicago small diner. Afternoon Bunny and Daisy are having a today's special and coffee, Bunny's talking on her phone There's the Chicago Midnight Jazz band playing on the radio with the 'Scapegod' track yet again Bunny: [cheerfully] You heard about this Underworld thing? You got it, right? Ha ha ha [laughs] Yeah. He told me it's All fun! Laura says it's SWELL! [laughs again] Better than fucking anything! [listens] [lowers her voice] I wanna try it. [listens again] Oh! Ok, ok. Kiss kiss. [hangs up, turns to Daisy] Daisy: So you're like still with that other guy? Bunny: Nooo... You silly! He's Stan's friend Daisy: Mmm... [with obvious admiration] Stan's sweet! Bunny: [laughs] Forget it, Daisy. He's hanging out with that metal chic Daisy: Oh, she looks creepy... She looks like Abaddon in Slipknot merch, all tattooed. Her name is Alice Bunny: Yeah, yeah. She looks like a slut Daisy: Gross. He'll dump her Bunny: You just have a thing for Stan Daisy: [exaggeratedly] Nnnno! [laughs] Ok, I have. But he's not as cute as Cas Bunny: Quit watching TV shows or you won't be graduating this year Daisy: But Cas is gorgeous! Bunny: Not as Dean! [both laugh] Daisy: We won't go to the cabin this weekend. There's this cop sneaking around. He's been asking questions about that murder Bunny: I don't like cops! Daisy: Yeah. Cops are dumb Bunny: Totes! And creepy The diner ambiance pitches down. A weird tone noise hangs for a while Alice: Night. I own the night. And what I don't own, I take Alice sings: Night... My time I might have been a better girl I could have been a nothingness I would have been a happy waste A loved, and fucked, and cherished common place It might have been a Peach's case I could have had myself erased But ended up on a lost highway So fire walk with me, fire walk with me Night... I might have been, I might have been... My time. I could have been, I could have been Night... I should have been, I should have been My time And the night owns me...
11.
Kitten Waltz 06:44
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SC.11 EXT. Kids and their caretakers play on a playground. Day There's a loop of the waltz playing in the background. The loop Is weird and eerie Lily: Daddy, I wanna dance! Daddy: Darling, sweetheart... You can't be doing that Lily: But why, Daddy? Daddy: This dance requires both legs, darling Lily: [sobbing] But who cares? Daddy: Well... People will be watching Lily: Tell them it's ok. They have to understand it's ok! Daddy: [sighs] I can't risk my reputation... Lily: Daddy, you're a moron! The waltz starts playing. The playground ambiance gradually fades into the music. Then it fades in back again when the track is over. A southerner who played the waltz walks up to Daddy SC.11.1 Morgan: Hey! Howdy, man. I'm Morgan Daddy: Howdy to you, Morgan. Nice to meet you. I'm Dan Morgan: Nice, Dan. May I call you Danny? Like the Shining Danny... Daddy: What's the Shining? Morgan: Ah... Forget it. You don't have it anyway. [after a pause] I wanna ask you something, man Daddy: Talk to me Morgan: I was playing this waltz for years. And kids were dancing... Ha! My lil Jack and Jill danced to it. Kids got dizzy, that's how they danced! Daddy: Those two blondes? Morgan: Yeah. Sweet kids. I love them, man! [pauses] Your lil girl didn't dance. Why? All kids had fun Daddy: Well... Morgan: Tell me Daddy: There's a problem. She thinks she has one leg Morgan: Jesus Christ! How come? Daddy: I don't know, man. I keep saying she's wrong, but she wouldn't listen Morgan: Ah! This is a very strange world, Danny. I thought you might have that Shining thing. But you haven't. Your girl thinks she has one leg. But she has both. Strange world, man. Very strange
12.
Scapegod No More 12:16
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SC.12 INT. Lily just woke up and she's crying Lily: I'm sorry... I... Mystery Girl: What is it, Lily? Lily: I thought when I woke up... I thought sleep would do it... Mystery Girl: What's wrong? Lily: I don't know who I am... Mystery Girl: What do you mean? You're Lily Lily: I'm not. I don't know what my name is... I don't know who I am! Mystery Girl: This is your purse. Your name must be in your purse. You want to know, don't you? Lily: I... yes, but... I... Mystery Girl: Open it! The track starts with Alice singing: [verse] It's been a long long way from hell... [hook] You want me blinded Your bitch in your death charade Controlled and guided But you won't rain on my parade! It's all beneath my skin It's tightening within And I don't know where to hide And what to do... [hook] You want me blinded Your bitch in your death charade Controlled and guided But you won't rain on my parade! The shit is deep in its origin You're blaming me for your every sin But I'm taking it with just a grin Cuz I'm a scapegod under my skin The shit is deep in its origin You're blaming me for your every sin But drop it, man, you will never win Cuz I am my god under my skin Danny Torrance hallucinates in the Chalebridge Cradle Mental Hospital. He shouts then Screams louder and louder "Stop it! Stop it! Please stop it! Please!" reaching the top of his voice He dies of a heart attack SC.12.1 INT. Chicago Police Homicide Division. Inspector Trudeau's office. Morning Curtis: With all due respect, inspector, there has to be something Trudeau: Unfortunately... despite our highly cooperative locals here, it seems to be a dead end, agent Curtis: I wouldn't be so sure about that. I've got a feeling the killer will show up again Trudeau: [thoughtfully] Dropping bodies... Curtis: Killers always drop bodies. That's what they are Trudeau: But what if the killer wasn't quite a killer? Curtis: ...And the vic wasn't quite a vic? [laughs] Interesting theory, inspector. But so far it didn't help on our investigation Trudeau: Right. But it's a strange world, very strange world

about

Slutlips is a horror/drama/thriller film that is delivered in a shape of a musical album but exceeds the usual limitations of such an art form and includes entire voice acting sequences, combines instrumental baroque music with soundtrack/song structures, explores weird combos like a classic orchestra playing as it would have been a metalcore band. It also includes beautiful jazz parts arranged, composed, and performed by a brilliant multi-instrumentalist Alan Wild Matthews, who played trombone, trumpet, saxophone, guitar, and voice acted for this album.

The nonlinear plot evolves through the eyes of two main characters—Lily and Alice—and follows them through the surreal David Lynch ‘esque situations and sequences that in time reveal the full story, a story of toxic relationships, child abuse, daddy issues, homicide, and police investigation peppered with flat-out humor, dready soundscapes, and musical twists you wouldn’t expect around the corner. Slutlips heavily refers to such masterpieces by David Lynch as Mulholland Drive, Twin Peaks, Blue Velvet, and Lost Highway; quotes characters from Charmed, Supernatural,Ken Park, Pulp Fiction, and even video games like Thief. Sometimes shockingly dreadful, sometimes ridiculously comic, painfully dramatic at the core, it is based on real stories of abuse, but takes it into a fantasy world of fiction making you wonder whether it is just you or does its thorny beauty contain a charm far beyond what meets the ear.

credits

released February 4, 2017

Trombone, Saxophone, Trumpet: Alan Wild Matthews
Additional Guitar: Alan Wild Matthews & James Giacalone
Additional Orchestration: Alan Wild Matthews
Voice Acting By: Melanie McGuirk, James Giacalone, Alan Wild Matthews & Catherine Corelli
Music: Alan Wild Matthews & Catherine Corelli
Executive Producer: Catherine Corelli

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Catherine Corelli Jeffersonville, Kentucky

singer-songwriter, producer, painter. Russian born American southerner.

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